You Season 3 Critic
It is very satisfactory to follow a series that starts with a first clumsy episodes and little by little it is becoming something much better. That s what happened with you, the Erotic Netflix thriller that started with a first season more focused on the pure and hard morbid and has managed to reinvent themselves.
You keep counting the story of Joe Goldberg (the Great Penn Badgley) , a boy with a tendency to idealize and fall love with girls every so often, to the point of killing, literally, for them. However, the one season 2 surprised us with a great turn, discovering that the ideal girl of him, love, was as murdeem as him.
Now, season 3 addresses the consequences of all that: Love had been pregnant with Joe , so they have married and have begun a new life in the suburbs, away from Los Angeles, convinced that they will be better People for them and by their son.
From the beginning, we have commented that one of the strengths of the Netflix Series is the fun and solid interpretation of Penn Badgley (Gossip Girl) being someone capable of putting tender puppy s eyes and the Time insinuate with a look that is thinking about how to dismember you.
But that strength has been multiplied by the greater specific weight of love this season, to which she plays a magnificent Victoria Pedretti (the curse of Hill House). And if Joe is upset, LOVE is directly as maracas, even though she strives to make the family happy.
It is thanks to that game of marriage scenes but between murderers that the season 3 has been able to reinvent the concept of the series to give a more adult touch, without losing their nuances of eroticism and criminal thriller.
In a way, the relationship of Joe and Love wants to reflect the insecurities that any marriage can feel (are we sentenced to bore us from each other? Is my partner too good for me?), Only that instead of Throw a vase to the ground, here stabbing someone.
Thus, the 10 episodes (about 50 minutes each) of those consisting of this Third season of You give so that the characters develop a lot and, in addition, express their emotions. And it is that, for the first time, Joe can speak openly with someone about him is a murderer.
But, of course, There are also moments for affair , torrid revolts and truculent deaths , only that on this occasion, the most erotic moments do not recreate so much nor do they become so long, something that was very close to the first season .
In addition, the series has time for criticize some of the miseries of our time : the superficial and empty people who live for social networks, the toxicity of the ideal neighborhoods that criticize you on the back ... o Even the danger that antivacunas can be supposed in certain contexts.
All in all, we find some more interesting reflections . The series no longer goes from both beautiful people who are overwhelmed by other people and ends it, but about how that beautiful people feel frightening inside.
Even so, Some episodes can not avoid returning for their priviles and forcing Joe and Love to be excessively whimsical Regarding their pulses (both sexual and homicidal), in what seems an effort to fulfill the file Of what the season should have.
In the criminal part, this makes certain twists and not impact so much. Even so, this time there are so many well-developed secondary characters that, like the Joe s Mirón, we can not help but go to see how they will react in these circumstances.
In that sense, we have a special mention for Marienne, played by a Tati Gabrielle that will sound to you from the chilling adventures of Sabrina and here has a lot of presence.
All in all, and although there is nothing really revolutionary in the episodes of it, we have become pleasantly surprised by how she has managed to change the series for good.
So much so, that at the time of writing these lines is the second most seen from Netflix in Spain ... and in the US it has dethroned the squid game in audience.
Surely because we all have some perverse in our interior and we like to see how others get into trouble. It s just a matter, as Joe and Love try, to know how to find our moral compass to get not losing the north ...
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